DTC 440

Come, come, sit.
How sweet,
of course it's a Ladies' Seat
But come now, how often does a man
in a Delhi bus
give it up?

I don't care,
I'm not political
except in passing
(I wonder whether I should get to
sit when I pay the same
as the standing men).
So I sit down,
Eight thousand rupees' worth of music in my ears
and obscure novel in hand.

Hand, hand.
No, no, it's just his polythene bag
Come now, everyone's not out to eve-tease.

Hand, hand.
So it wasn't the polythene bag.
That was just a convenient cover
For a hand
reaching where it shouldn't.

Pussy?
Private parts?
Boobs?
Who makes these words?

I can't tell you where his hand went
My language has no word
that is not either funny or abusive.
Come, come,
check,
go, look in your dictionary
I bet your language also has none.

I got up,
vacated my Ladies' Seat,
my right as a lady
to be touched,
felt,
pawed,
come, come,
it's free for all.
Well almost.
Seven bucks from here to CP is pretty reasonable,
Don't you think?

Kutti Papa Part 2

I had started telling, about a month ago, the story of my liaison with the kids at Ehsaas, the NGO that SK and I volunteered at this summer.
We heard of it by word of mouth, it was SK's idea to go check the place out. We made an appointment with Shachi Singh who runs it, and turned up at the Charbagh branch. It was there that we really got to know what Ehsaas does.
Charbagh is where the railway station is in Lucknow. Like most railway stations in India, Charbagh is home to many who are homeless. Among those are hundreds of children, either abandoned by uncaring parents, runaways from homes they were better off without, or sometimes just lost. The kids are all lost, actually. Until someone comes to take them by the hand and lead them away from a place where their highest role is fetching tea and happiness is drowning themselves in sollusann [solution, whitening fluid solvent, inhaled to get a high].
Ehsaas is a four room outfit on the roof of the Transport Building, a strangely apt place to house these kids. This is a halfway-house for children literally hunted out (with the help of the Peer Group and those who can spot a new face soon) and brought to the NGO. Their final destinations vary.
By and large, they will go through some basic haphazard schooling here, then move to the Vikas Nagar branch, where they will have better food, clothes and lessons. stage three is joining the school system.
Some who are lost are escorted to their homes, as far away as even Calcutta. Of course, some are too small to know their address or hometown. Like Ganesh, the new kid who wrote his name in Telugu while the others who could write all wrote in Hindi on the backs of their drawings. We drew a lion that day. I went crazy, it was a big clue they had missed, the people who had picked him up didn't know where he was from at all. Shabana and I then tried many versions of "Where are you from?" in Hindi, which he seemed to follow. After some teasing out, what he said was "Begumpet". I nearly died. For me, and my obsession with coincidences, this was too much. "Begumpet is in Hyderabad! He's Hyderabadi!" He didn't know Hyderabad, though. He did know his house was near a municipal school. I managed to find out his parents' names too, which he had apparently said before. Well no wonder he understands Hindi, and no wonder he can't speak it fluently like the others.
Ganesh is the most adorable child. He has that twinkle in his eye. Smart kid. Very smart. I stopped noticing his face and his feet after the first few minutes. He has feet that are curled, as if they were trying to make a fist. His head has some sort of little growth where a punk mohawk would be, as if he was born conjoined and then separated. He's what, five? Beautiful child. I brought Amma to Ehsaas one day, she wanted to make a donation and meet the kids and all. Since she speaks Telugu I wanted her to talk to Ganesh. She asked him where he lived, he said he lived at the station, in I think a shop with somebody, or something like that. When she tried to ask where he had come from, he only repeated that for a while, and then finally said his parents had left him there. He didn't cry, he didn't flinch. It scared my mother a little I think. God knows what goes on in a child's mind. He has a sister. And a grandmother in Bombay.
I was born in Hyderabad. It's always been to me like somewhere I need to go back to, like the place calls me home. My grandparents were living in Begumpet when we were moving to Lucknow. That flat in Mount Santoshi Apartments is the last memory I have of Patti (my grandma) in her house. She didn't live very long in Lucknow, in the house we waited six months to be allotted, because it has a garden. She loves gardens. She was dying, we didn't know it. Now if anyone tells me somebody is not eating at all, I'll tell them to rush to Oncology.
SK and I were in Lucknow only for a month or so more, Shachi didn't want us to get involved in the main teaching work. We were to do some craft, music, things like that. Maybe a little general knowledge, teach a little on the sly. I have no idea what we did finally, I doubt if we did any good that lasted longer than two hours every other afternoon.
One day SK brought a globe. We were trying to tell the kids how when it's day here, it's night in America. Yes, they know America. Amreeka. Like we know Elysium. They come up with the most random versions of the Universe, as it were. Well, if you've been fed only myth about how god (I forget which, N tells me Brahma) created the world, you believe that, right?
Then when I found some books in English on nocturnal creatures, one on dinosaurs. So strange, to tell them we descended from the apes, I could be Darwin incarnate. I felt, again, only too keenly, the acute language problem that had never let me be. Although I'm beginning to realise that language is not English, Hindi, Tamil, but the peculiar parole of your own unique experiences, which when they are so very different from your interlocutor, can be only a barrier to communication, instead of the common ground you hoped it would be.
Washim. Pronounced Vaseem. I know I should not have favourites, but I fell in love with Washim. He reminded me of my little brother. Not that I have one, nor was he like any of my three cousins. He really needed to go to school. Oh, I've slipped into past tense. Well, by the time we left, they were to join school anyway. But he is just too smart for the others. He's a Bumbaiyya, as they call him. From Bombay. Dry humor. Couldn't have been more than 11-12. He'd take my pen and sketch endlessly. He had already drawn all over the walls. I really wanted to be his friend. I don't think he wanted to be friends with anyone.
Of course, Congress (Kaangrace, more like; and no, I don't know why the name) was really not interested in making friends. Poor guy, he's very mixed up. I don't even know what to think...he must have been through something so ugly to talk like that. Navin was aloof, it was fine till they got into their maara-peeti vaale moods. With so much pent up energy, so little space, and so little love, they do start fighting often.
One day I took the guitar. Sanoj, from the Peer Group, he liked it a lot. He also thought I looked like an Angrejin, a foreigner. I think it was the skirts. Or maybe the short hair. I found it very funny. I told Sanoj I get that a lot. Sanoj makes great tea. The kids are a storehouse of outrageously inappropriate Bhojpuri songs.
They were watching Sasura Badey Paise Wala. How to translate this! Let's say Ma Homie's Got Lotsa Cash. My dad was really pissed off when he heard this. N also said, How can they subject the children to this? I don't know why, but even knowing that it's probably no kiddie movie, I didn't see the harm. I wouldn't give it to my kids to watch though. Why not? How are the kids at Ehsaas any different? Other than that they won't be rich, spoilt and living in the lap of luxury. Then why the difference in what they watch on DVD? I'm still trying to make sense of all these questions.
I tried an experiment one day. Four katoras [bowls] of poster colour, red, green, yellow, blue. I shut the doors, the room was dark. Made the kids calm down, sit and be quiet first. Then asked them to close their eyes. Lots of titters, peeping through one eye. Then when they ad settled down, I didn't want idly shut eyes to dream up something horrible. I asked them to think of a time when they were happy. They when they opened their eyes, I asked them if happiness has a colour.
They picked their colour. Washim was quite disdainful of this whole exercise. I'm sure he saw through me, I was just playing by ear.
Then I wanted them to play around with the colours, so I asked them if they had one thing to choose as their favourite in the whole world, what would they pick?

It was crazy. The kind of things the kids said were everything from the absurd to the profound to the dogmatic.

I don't know what I was doing there. Pata nahin. But it was good. I'll go there next hols I think. To see. Maybe it didn't mean anything, who knows. I worry about Ganesh, Congress, Gunja who was the only girl there. I wonder and don't want to contemplate why so few girls were found, and what worse fate might have come their way. Washim. I saw a kid the other day, on the road, he looked just like him. Washim being Washim, he might have run away. It might actually be him. Ehsaas. I can't translate that. Something between emotion, sensation, feeling, and responsibility?

A year of watching

22.3.08

The world began to cloud
Till I could see nothing
except the bored eyes
I had only a passing interest in women
Aesthetic.
Rarely sexual.
i did not even find her beautiful.

She was languid,
dirty,
rich,
and virtuous.
She was slow,
could not take her liquor
and had a flabby stomach
over wonderful legs
She combed her hair with a vengeance
Kept secrets no one cared to know
(as if her life depended on them)
and wanted to keep a dog
in our room
of ninety four point five square feet
that is, four and a half
by ten and a half
per person

She had some deeper secrets
Which her life did depend on
And those she let slip
Inadvertently, sometimes
I noticed.
I was looking out for them.

She was naive
beyond repair

I hated her
And I loved her

With her money
and bodyguards
she was two dimensional

Those secrets she did let slip
Were the third dimension

She was human,
a person,
of loves and cares and petty grievances.

I did not know her at all.

I think I have been
Unkind
I she ever saw this
She would be very hurt

She lived with me a year
Which I think
in itself
is laudable

She never did me any harm,
She loved me (if in passing)

"Hated" is not true
I could never hate her
I just could not love her
for more than the length of saying so

She was sweet, this much i know
She was kind most of the time.
She had a quirky sense of humour.

I just did not know her at all.

Morning: remembering last night's dream, 17.2.08

A dream with structure rich in detail, I could see all the smoke wisp away and hear the irony in the man's voice, ringing over his white hair and the distinguished din of his jacket. He put out his cigarette at the challenge. The children continued to fly.

Children I can never remember. Their faces are too soft, too new to make an imprint on my mind.

I felt his hard chest against mine, it was nothing, a hug. But I felt it in the dream and outside, a memory squeezing me, "remember, remember". I don't know who it was I have not had illustrious love affairs. There is only one person it could have been, and it was not him.

He was as tall, as broad and as passionate. But he would never have let himself touch me like that. Like what? It was only a hug. He's in love with me, he says. I think he is deluded. Years later and much bad blood cried, how can he be? How different was he from what I called love?

My fingers should speak, or my lips, or my skin which tingles and pulse that races even as I think back. Simon and Garfunkel were talking about two of me. To be in love, please don't kill your self; I cannot love despair, I have thrown guilt out of the window to the past.

There is the residue, a layer of double entendres and riddles below the memory of loving him, which surfaces sometimes and dies down.

But I still don't know who it was in the dream. There are the mornings to wake up to, with beautiful yellow sun on my face and an ache in the pit of my stomach, to want the familiar taste. Some twelve years, and it does not taste the same - that five minutes of childish ecstasy at the one recipe we have never been able to produce since.

I remember, boss, that is my strength.

Map of India, 1973

What is it to you
What do you know

What do you know, my love
when your words
the secrets I gathered
from long conversations
and your remarks about me
which spoke more of yourself
than of me

those words are etched on my walls
and on paper
I wrote them down
some as they were being spoken
some later,
a year or two
some I never wrote

you who were so afraid of being
pinned down; discovered,
(no, was that me?)
caught
in the act of being human

you love with the ferocity of a wild animal
and your hands clench at the very sight of me
I, who do not understand perhaps
that taciturnity is not always helplessness.

Untitled, 27.11.07

I never fought in a war
I never even saw one
My life never knew hunger
Or having no roof over my head
I complain
No one understands me
The kid on the street
Asks me for my Pepsi
And I laugh

My children will be callous
More than me
They will be smart, though.
They will know all there is to know
And will not ask me
Loudly
"What's a condom?"
They will not grow up and say
"Every generation should have a War:
it gives you perspective, you know."

They will have learned

by then.